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Delphi Complete Works of Varro (Illustrated) by , Summary
Barbara Pavlock unmasks major figures in Ovid’s Metamorphoses as surrogates for his narrative persona, highlighting the conflicted revisionist nature of the Metamorphoses. Although Ovid ostensibly validates traditional customs and institutions, instability is in fact a defining feature of both the core epic values and his own poetics. The Image of the Poet explores issues central to Ovid’s poetics—the status of the image, the generation of plots, repetition, opposition between refined and inflated epic style, the reliability of the narrative voice, and the interrelation of rhetoric and poetry. The work explores the constructed author and complements recent criticism focusing on the reader in the text. 2009 Outstanding Academic Title, Choice Magazine
This substantial and ambitious dictionary explores the languages and cultures of visual studies. It provides the basis for understanding the foundations and motivations of current theoretical and academic discourse, as well as the different forms of visual culture that have come to organize everyday life. The book is firmly placed in the context of the 'visual turn' in contemporary thought. It has been designed as an interdisciplinary or transdisciplinary introduction to the vocabularies and grammars of visuality that inform thinking in the arts and humanities today. It also offers insight into the philosophical frameworks which underpin the field of visual culture. A central theme that runs throughout the entries is the task of moving away from a narrow understanding of visuality inherited from traditional philosophy toward a richer cultural and multi-sensorial philosophy of concrete experience. The dictionary incorporates intertextual links that encourage readers to explore connections between major themes, theories and key figures in the field. In addition the author's introduction provides a comprehensive and critical introduction which documents the significance of the visual turn in contemporary theory and culture. It is accompanied by an extensive bibliography and further reading list. As both a substantive academic contribution to this growing field and a useful reference tool, this book offers a theoretical introduction to the many languages of visual discourse. It will be essential reading for graduate students and scholars in visual studies, the sociology of visual culture, cultural and media studies, philosophy, art history and theory, design, film and communication studies.
This volume on Greek synchronic etymology offers a set of papers evidencing the cultural significance of etymological commitment in ancient and medieval literature. The four sections illustrate the variety of approaches of the same object, which for Greek writers was much more than a technical way of studying language. Contributions focus on the functions of etymology as they were intended by the authors according to their own aims. (1) “Philosophical issues” addresses the theory of etymology and its explanatory power, especially in Plato and in Neoplatonism. (2) “Linguistic issues” discusses various etymologizing techniques and the status of etymology, which was criticized and openly rejected by some authors. (3) “Poetical practices of etymology” investigates the ubiquitous presence of etymological reflections in learned poetry, whatever the genre, didactic, aetiological or epic. (4) “Etymology and word-plays” addresses the vexed question of the limit between a mere pun and a real etymological explanation, which is more than once difficult to establish. The wide range of genres and authors and the interplay between theoretical reflection and applied practice shows clearly the importance of etymology in Greek thought.
Art in the Global Present presents a fascinating collection of essays that together reveal how art is currently navigating a globalised world. It addresses social issues such as the impact of migration, the ‘war on terror’ and the global financial crisis, and questions the transformations produced by new forms of flexible labour and the digital revolution. Through examining the resistance to the politics of globalisation in contemporary art, presenting the construction of an alternative geography of the imagination and reflecting on art’s capacity to express the widest possible sense of being, this book explores the worlds that artists make when they make art. A multifaceted perspective on the complexity of these issues is reached through the words of a diverse range of art practitioners and commentators, including acclaimed artists Lucy Orta, Callum Morton, Danae Stratou and the collective Postcommodity, international curators Hou Hanru, Cuauhtémoc Medina, Ranjit Hoskote and Linda Marie Walker and art critics, academics, writers and theorists Jean Burgess, Paul Carter, Barbara Creed, Geert Lovink, Scott McQuire, Nikos Papastergiadis, Gerald Raunig and Jan Verwoert.
“Gamkrelidze and Ivanov’s wide-ranging and interdisciplinary work, superbly translated from Russian, is a must for every student of Indo-European prehistory. Its erudition is unsurpassed, and its unorthodox conclusions are a continuing challenge.” Prof. Dr. Martin Haspelmath, Max-Planck-Institut für Evolutionäre Anthropologie The authors propose a revision of views on a number of central issues of Indo-European studies. Based on findings of typology, they suggest a new analysis of the phonological system of Proto-Indo-European (the ‘Glottalic Theory’); they offer novel assumptions about the relative chronology of changes in PIE vowels and laryngeals. Their conclusions are compared with data from Proto-Kartvelian. In the second part of the book, semantically organized presentation of material from the lexicon is combined with analyses of the use of forms and formulae in a broadly defined cultural context. Again similarities with properties of primarily Kartvelian and Semitic are described , and extended close contacts with these language families are postulated. This necessarily leads to a proposal to place the hypothetical Urheimat of the Indo-Europeans in the region south of the Caucasus. Volume and II of the original Russian edition have been combined in the English version as Part I; the Bibliography and Indexes are published as Part II.
What does that term mean? How is it even pronounced? Make sense of the complex world of health care with Mosby's Pocket Dictionary of Medicine, Nursing & Health Professions, 8th Edition. This comprehensive, portable dictionary offers a unique, strong focus on nursing and health science terminology. Featuring over 56,600 authoritative definitions of diseases, procedures, equipment, drugs, and more, it ensures you have the most reliable health science information right at your fingertips. Word roots and pronunciations help you learn and correctly use medical terminology, and alphabetized screened thumb tabs make finding definitions quick and easy. Emphasis on nursing and health science terminology supports health science students and practicing professionals. Over 56,600 definitions provide you with necessary information. Revised by an experienced educator, Marie O’Toole, and an expert team of health professionals, nurses, and doctors, so definitions are brief, pertinent, and — most important of all — accurate! Practical alphabetical organization without subentries makes it easier for you to find terms. British spellings assist you in recognizing alternate spellings. Pronunciations for key terms help you use terminology correctly in everyday practice. A Spanish/English Appendix and commonly used abbreviations, printed on the front and back endsheets, make dictionary an indispensable reference. Alphabetized screened thumb tabs save you time locating terms. Included etymologies build professional vocabulary and understanding of medical terminology. Small trim size makes dictionary easy to transport.
Binder-Ready Edition: This loose-leaf copy of the full text is a convenient, accessible, and customizable alternative to the bound book. With this binder-ready edition, students can personalize the text to match their unique needs! Make sense of complex medical terms with this comprehensive reference! Mosby’s Medical Dictionary, 11th Edition includes more than 56,000 authoritative definitions along with 2,450 illustrations — that’s twice the number of images found in other medical dictionaries. Appendixes in the book and online make it easy to look up frequently used information, and an enhanced eBook version includes animations, audio pronunciations, and more. Helping you communicate more effectively in the workplace, this reference is an indispensable reference for students, nurses, and healthcare professionals. More than 56,000 entries offer detailed definitions, as well as the latest information on pathophysiology, treatment and interventions, and nursing care. More than 2,450 color photographs and line drawings demonstrate and explain complex conditions and abstract concepts. Color Atlas of Human Anatomy includes clearly labeled drawings for easy A&P reference. Convenient alphabetical organization makes it easy to find key terms and definitions. Detailed appendixes provide useful information on lab values, pharmacology and clinical calculations, NIC and NOC, infection control standards, and more that can be used throughout your healthcare career. NEW! Approximately 5,000 new and revised definitions reflect the latest developments in health care, drugs, and nursing terminology. NEW! Approximately 500 new and updated illustrations are included. NEW! Enhanced eBook includes linked audio pronunciations, animations, and integrated reference tables. NEW information on population health is included. NEW! Significant revisions of pharmacology content bring this information up to date. NEW! Added pronunciations are provided in this edition.
Make sense of complex medical terms with this comprehensive reference! Mosby’s Dictionary of Medicine, Nursing & Health Professions, 11th Edition includes more than 56,000 authoritative definitions along with 2,450 illustrations — that’s twice the number of images found in other medical dictionaries. Appendixes in the book and online make it easy to look up frequently used information, and an enhanced eBook version includes animations, audio pronunciations, and more. Helping you communicate more effectively in the workplace, this reference is an indispensable reference for students, nurses, and healthcare professionals. More than 56,000 entries offer detailed definitions, as well as the latest information on pathophysiology, treatment and interventions, and nursing care. More than 2,450 color photographs and line drawings demonstrate and explain complex conditions and abstract concepts. Convenient alphabetical organization makes it easy to find key terms and definitions. Color Atlas of Human Anatomy includes clearly labeled drawings for easy A&P reference. Detailed appendixes provide useful information on lab values, pharmacology and clinical calculations, NIC and NOC, infection control standards, and more that can be used throughout your healthcare career. NEW! Approximately 5,000 new and revised definitions reflect the latest developments in health care, drugs, and nursing terminology. NEW! Approximately 500 new and updated illustrations are included. NEW! Enhanced eBook includes linked audio pronunciations, animations, and integrated reference tables. NEW information on population health is included. NEW! Significant revisions of pharmacology content bring this information up to date. NEW! Added pronunciations are provided in this edition.
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Gustavo Costa reviewing the Italian edition of Vico's Institutiones Oratoriae in New Vico Studies 9 (1991), has written that Rhetoric is the mainspring of an important trend of Vichian studies which initiated at the beginning of the twentieth century and had its manifestation in John D. Schaeffer's Sensus Communis: Vico, Rhetoric, and the Limits of Relativism (Durham: Duke University Press, 1990), where Schaeffer aptly noted, summing up a long exegetic tradition, Vico was imbued with rhetoric and convinced of its centrality to Western civilization. Unfortunately, the editions of Vico's works published in English have not yet included the Institutiones Oratoriae, which more or less reflects the lectures on rhetoric given by Vico at the University of Naples, starting with the academic year 1699-1700 and going through 1739-1741. The manual on rhetoric was used in Italy up to the end of the nineteenth century and established the common curriculum in rhetoric to be followed in all Universities. This English edition offers a text of the Institutiones complete on the base of the four known extant manuscripts. It offers the marginal glosses made by Vico's students, a collection of Vico's phrases and explanations of terms collected by some of the students, a glossary of Latin words and rhetorical terms from the Latin text, and a wealth of information in the commentary. The Art of Rhetoric is the manual for everyone who wants to know what rhetoric is, how it was employed in the forum or the courts, how it could be learned from the classic orators, and how it can be used whenever we speak for convincing, praising or motivating.
The series Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft (BZAW) covers all areas of research into the Old Testament, focusing on the Hebrew Bible, its early and later forms in Ancient Judaism, as well as its branching into many neighboring cultures of the Ancient Near East and the Greco-Roman world.
'Arms and the man I sing of Troy...' So begins one of the greatest works of literature in any language. Written by the Roman poet Virgil more than two thousand years ago, the story of Aeneas' seven-year journey from the ruins of Troy to Italy, where he becomes the founding ancestor of Rome, is a narrative on an epic scale: Aeneas and his companions contend not only with human enemies but with the whim of the gods. His destiny preordained by Jupiter, Aeneas is nevertheless assailed by dangers invoked by the goddess Juno, and by the torments of love, loyalty, and despair. Virgil's supreme achievement is not only to reveal Rome's imperial future for his patron Augustus, but to invest it with both passion and suffering for all those caught up in the fates of others. Frederick Ahl's new translation echoes the Virgilian hexameter in a thrillingly accurate and engaging style. An Introduction by Elaine Fantham, and Ahl's comprehensive notes and invaluable indexed glossary complement the translation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Interest in word-meaning is on the increase among mainstream linguists again after a half-century of neglect. During this interval progress in phonology and syntax was great, but further progress in these sub-disciplines will remain blocked until it is recognized that the prime functional unit of speech is the word, that the central problem of language theory is lexis. Word-meaning is typically complicated by changes across time; for a theory of language creativity, these effects must be discerned from spontaneous creation. The articles brought together in this volume attempt to illuminate, on the basis of particular lexical studies, the dynamics of perception and word-meaning, of language and mind.
This work traces the etymologies of the entries to their earliest sources, shows their kinship to both Spanish and English, and organizes them into families of words in an Appendix of Indo-European roots. Entries are based on those of the Diccionario de la lengua española de la Real Academia Española.
Language Isolates explores this fascinating group of languages that surprisingly comprise a third of the world’s languages. Individual chapters written by experts on these languages examine the world's major language isolates and language isolates by geographic regions, with up-to-date descriptions of many, including previously unrecorded language isolates. Each language isolate represents a unique lineage and a unique window on what is possible in human language, making this an essential volume for anyone interested in understanding the diversity of languages and the very nature of human language. Language Isolates is key reading for professionals and students in linguistics and anthropology.
The goal of this book is to prove that Latin is not a dead language by demonstrating how prevalent and strong it still is in modern Western culture. In order to do so, the author, an English philologist with a long experience as a Latin educator, catalogues, explains and interprets Latin quotations and references in a multitude of twentieth- and twenty-first-century literary works by—primarily—mainstream authors (from Aldous Huxley to Saul Bellow to John Irving), crime/mystery writers (from Raymond Chandler to Elizabeth George to Dennis Lehane) and frontier/western novelists (from Emerson Hough to Larry McMurtry). The three areas of fiction constituting the main scope of the book indicate the author’s major interest and preference, as well as the subject matter of his extensive research, both prior and current—the former related to his already published books. The writers offering the most impressive contributions to the thesis are featured in the three parts of the main body; those with lesser input are listed in the Appendix. The prospective readers of the book include all Latin students and educators at the secondary and college levels worldwide.
This is the first work to trace the origins of religion to the "Agricultural Revolution." It does so by identifying the enigmatic psychoactive drugs employed by the Indo-European religion. Through the ancient Vedic literature, the archaeological record, and through chemistry, this work identifies the ingredients and the method of preparation employed to produce the Soma of the Rig-Veda, Haoma, and the Kykeon. A contribution to both the history of science and the history of religion, Soma shows that the dawn of civilization was the product of the cultivation of cereals which enabled early man to exchange a nomadic life of hunting and gathering for a sedentary one, giving rise to settlements that would eventually become city-states and nations. The work reveals that this civilizing revolution was not only the origins of science, but also the origins of religion. The author presents literary evidence from the Vedas, Brahmanas, and Vedic ritual texts to identify the source of the ritual sacrament called Soma (or Madhu, "Mead"), and he describes the chemical processes that rendered it non-toxic. In addition, he shows that the ancient literature of the Greeks and the chemistry indicate a similar method was employed to produce the hallucinogenic kykeon of the Greek Eleusinian Mysteries, the center of Greek civilization. The work also explores the ethnographic relationship between the Indo-European priesthood (that included the priests of ancient Greece) and the Indo-Aryan priesthood, a branch of the Indo-Europeans that included the Soma-drinking Vedic priests of India. The identification of Soma is a solution to one of the greatest mysteries in the history of religion. The chemistry is consistent with the chemistry of the Greek kykeon, another important and unsolved question in the history of religion, which like Soma, has appeared to many as unsolvable. Finally, through the Greek and Roman classics the work demonstrates the relationship between the Indo-Aryans and Indo-Europeans as well as the similarities of traditions among the priesthoods extending throughout the great civilizations of the ancient world. The book also contains scientific evidence for the production of the 'Philosopher's Stone' briefly addressed in Shelley?s earlier book, Science, Alchemy and the Great Plague of London.
With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal. No other work examines the mythographic interrelationships among these poets and their unique and personal approaches to mythological commentary.