Editor: Books for Libraries
File Format: Pdf
Arsene Lupin is a fictional gentleman thief who appears in a series of detective fiction and crime fiction novels by the French writer Maurice Leblanc. A contemporary of Sir Arthur Conan Doyle, Maurice Leblanc was the creator of the character of gentleman thief Arsène Lupin who has enjoyed a popularity as long-lasting and considerable as Sherlock Holmes. Arsène Lupin is a literary descendant of Pierre Alexis Ponson du Terrail's Rocambole. Like him, he is often a force for good, while operating on the wrong side of the law. Those whom Lupin defeats, always with his characteristic Gallic style and panache, are worse villains than he. Lupin shares distinct similarities with E. W. Hornung's archetypal gentleman thief A. J. Raffles.
Generations of readers have delighted in the work of the great American humorist Don Marquis, who was frequently compared to Mark Twain. These free-verse poems, which first appeared in Marquis's New York newspaper columns, revolve around the escapades of Archy, the philosophical cockroach who was once a poet, and Mehitabel, a streetwise alley cat who was once Cleopatra. Reincarnated as the lowest creatures on the social scale, they prowl the rowdy streets of New York City in between the world wars. The antics of these two immortal characters are now made available for the first time in their original order of publication in this unique, comprehensive collection, which features many poems never before reprinted. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Maurice Marie Emile Leblanc (11 November 1864 - 6 November 1941) was a French novelist and writer of short stories, known primarily as the creator of the fictional gentleman thief and detective Arsène Lupin, often described as a French counterpart to Arthur Conan Doyle's creation Sherlock Holmes Biography: Leblanc was born in Rouen, Normandy, where he was educated at Lycée Pierre-Corneille. After studying in several countries and dropping out of law school, he settled in Paris and began to write fiction, both short crime stories and longer novels. The latter, heavily influenced by writers like Gustave Flaubert and Guy de Maupassant, were critically admired but had little commercial success. Leblanc was largely considered little more than a writer of short stories for various French periodicals until the first Arsène Lupin story appeared in a series of short stories that was serialized in the magazine Je sais tout, starting in No. 6, dated 15 July 1905. Clearly created at editorial request under the influence of and in reaction to the wildly successful Sherlock Holmes stories, the roguish and glamorous Lupin was a surprise success and Leblanc's fame and fortune beckoned. In total, Leblanc went on to write 21 Lupin novels or collections of short stories. The character of Lupin might have been based by Leblanc on French anarchist Marius Jacob, whose trial made headlines in March 1905. It is also possible that Leblanc had also read Octave Mirbeau's Les 21 jours d'un neurasthénique (1901), which features a gentleman thief named Arthur Lebeau, and he had seen Mirbeau's comedy Scrupules (1902), whose main character is a gentleman thief. It was not influenced by E. W. Hornung's gentleman thief, A.J. Raffles, created in 1899, whom Leblanc had not read.By 1907, Leblanc had graduated to writing full-length Lupin novels, and the reviews and sales were so good that Leblanc effectively dedicated the rest of his career to working on the Lupin stories... Edgar Alfred Jepson (18
With a new introduction.
At least since the Romantic era, poetry has often been understood as a powerful vector of collective belonging. The idea that certain poets are emblematic of a national culture is one of the chief means by which literature historicizes itself, inscribes itself in a shared cultural past and supplies modes of belonging to those who consume it. But what, then, of the exiled, migrant or translingual poet? How might writing in a language other than one’s mother tongue complicate this picture of the relation between poet, language and literary system? What of those for whom the practice of poetry is inseparable from a sense of restlessness or unease, suggesting a condition of not being at home in any one language, even that of their mother tongue? These questions are crucial for four French-language poets whose work is the focus of this study: Armen Lubin (1903-74), Ghérasim Luca (1913-94), Edmond Jabès (1912-91) and Michelle Grangaud (1941-). Ranging across borders within and beyond the Francosphere – from Algeria to Armenia, to Egypt, to Romania – this book shows how a poetic practice inflected by exile, statelessness or non-belonging has the potential to disrupt long-held assumptions of the relation between subjects, the language they use and the place from which they speak.
The inspiration for The Durrells in Corfu, a Masterpiece production on public television: A naturalist’s account of his childhood on the exotic Greek island. When the Durrells could no longer endure the gray English climate, they did what any sensible family would do: sold their house and relocated to the sun-soaked island of Corfu. As they settled into their new home, hilarious mishaps ensued as a ten-year-old Gerald Durrell pursued his interest in natural history and explored the island’s fauna. Soon, toads and tortoises, bats and butterflies—as well as scorpions, geckos, ladybugs, praying mantises, octopuses, pigeons, and gulls—became a common sight in the Durrell villa. Uproarious tales of the island’s animals and Durrell’s fond reflections on his family bring this delightful memoir to life. Capturing the joyous chaos of growing up in an unconventional household, My Family and Other Animals will transport you to a place you won’t want to leave. This ebook features an illustrated biography of Gerald Durrell including rare photos from the author’s estate.
The Rough Guide to Manga is the ultimate handbook offering a comprehensive overview of one of the most fashionable genre's in today's popular culture. The guide features the manga story: from manga's twelfth-century roots to the rise of English-language manga with profiles of influential creators like Leiji Matsumoto and CLAMP as well as publishers to look out for. You'll find an overview of manga's unique styles, techniques and genres decoded as well as a canon of fifty must-read manga, including the iconic Astro Boy, global hits Fruits Basket and Battle Royale, plus less well-known works like Please Save My Earth. The Rough Guide to Manga demystifies unfamiliar terms and genres for newcomers whilst offering manga fans plenty of new recommendations including listings for manga magazines and websites along with a glossary of terms. Crammed with illustrations, and including a section on the anime connection, this is must-have Manga for beginners and enthusiasts alike.
In this new edition, the original topics have been brought up to date, added to and elaborated upon: Abbreviations, for example, now includes an essential array of chat room acronyms: Fashion boasts a complete list of British Hairdressers of the Year; and Music features a comprehensive listing of every top-ten single in the last forty years. And there are a wealth of new subjects to be discovered and enjoyed too, from the Top Tens of 2002 to world coins and paper money, bingo calls to crime and punishment, the Mr Men books to the works of Charles Dickens. What can be Big Boy, Early Girl or Supersonic? Which British Prime Minister links John Lennon and Gary Lineker? Which classic novel begins 'Now, what I want is facts'? (See Reviews for Answers) This monumental work of reference is a must-have title on your bookshelf - both an enjoyable book to dip into and a cornucopia of sheer fact.
The first-ever full reckoning with Marvel Comics’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale “Brilliant, eccentric, moving and wholly wonderful. . . . Wolk proves to be the perfect guide for this type of adventure: nimble, learned, funny and sincere. . . . All of the Marvels is magnificently marvelous. Wolk’s work will invite many more alliterative superlatives. It deserves them all.” —Junot Díaz, New York Times Book Review The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown. And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. As a work of cultural exegesis, this is sneakily significant,
Moonchild is a novel written by the British occultist Aleister Crowley in 1917. Its plot involves a magical war between a group of white magicians, led by Simon Iff, and a group of black magicians, over an unborn child. It was first published by Mandrake Press in 1929 and its recent edition is published by Weiser.
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.